Born Linghu Jihua, Ling was the third son to Linghu Ye (令狐野), a party official, in Pinglu County, Shanxi Province. He and all four of his siblings received names related to the Communist Party's policies. His own name, Jihua, means "planning". In December 1973, as with many other young Chinese, he was sent to work in the countryside as part of the Down to the Countryside Movement. Ling worked in a printing factory. "Linghu" is a very rare surname, eventually most members of the Ling family shortened the "Linghu" to "Ling".
To performers, the suona has unfairly taken the blame for other, more vulgar, funeral practices. Wang believes the reforms have only crushed suona music and firecrackers because noise easily draws officials’ attention. Earlier this year, the Pingyi County government announced it would confiscate musical instruments played at funerals. When Wang and other suona masters performed at the funeral of an esteemed elder in June, village officials barged in and caused a commotion. The suona was small enough to be quickly hidden, but bigger instruments were snatched away.
Several weeks prior to the announcement of the investigation, Ling continued to make appearances on state television in his positions of CPPCC Vice Chairman and United Front chief. On December 15 Ling had penned an article on the Communist theory publication Qiushi brimming with praise for the signature political philosophies of Xi Jinping such as the "Chinese Dream". This was seen by observers as a 'last-ditch' declaration of fealty to the new Chinese leader with whom Ling was thought to have lost favour.
NixWO2.72 nanorods (NRs) are synthesized by a one-pot reaction of Ni(acac)2 and WCl4. In the rod structure, Ni(II) intercalates in the defective perovskite-type WO2.72 and is stabilized. The NixWO2.72 NRs show the x-dependent electrocatalysis for the oxygen evolution reaction (OER) in 0.1M KOH with Ni0.78WO2.72 being the most efficient, even outper...
As a teenager in the 1980s, Wang would play several gigs a day with his grandfather’s band. Everywhere they performed, they were served tea and tobacco and treated as honored guests. But after the arrival of the new millennium, the popularity of suona music declined. The market for musicians shrank as newlyweds turned to new trends: Western rock bands, pop singers, folk operas. The suona became passé, even maudlin. “Once the suona sounded, people would think someone must have passed away,” Wang explains.
But that imbalance can build resentment. In France, the secretary of the Academie Française called last December for a “reconquest of the French language” from loanwords; in China, government-friendly papers printed screeds this spring against “Wi-Fi,” “VIP,” and “e-mail.” Even as many governments work to protect languages from the spread of English, however, speakers in those countries go blithely off to “hot jooga,” meaning that official policy and the daily reality of English may be very different things.
Finally, at 15, Wang’s grandfather allowed him to start his suona training. In addition to practicing on the instrument, every day, he was to blow through a hollow reed into a basin of water to improve his breathing technique. At first, he couldn’t even make bubbles. After a year of practicing for hours each day, his grandfather gave him his first performance opportunity — but stage fright got the best of him.
A simple, solvent-free, solid-state self-assembly strategy for the synthesis of alkaline-metal-oxide-doped mesoporous carbons (MCs) with tunable mesopores (~5-9 nm), high surface-areas (up to 571 m2/g) and large pore volumes (up to 0.65 cm3/g) is developed via the mechanochemical assembly between polyphenol-Ca2+/Mg2+ composites and F127 copolymers....